Soviet artist Constructivist Vladimir Tatlin
Soviet artist Constructivist Vladimir Tatlin
“Vladimir – thin and tall young man, a bit like a fish with a protruding upper lip, with a snub nose and evocative melancholy eyes.” Natalia Goncharova, 1911.
In fact, Constructivism was a Soviet phenomenon that emerged after the October Revolution as one of the areas of new, avant-garde, proletarian art. As Vladimir Mayakovsky wrote in his essay on the French art: “For the first time not from France, but from Russia flew the new word of art – constructivism …”
And one of the largest representatives of the Russian Soviet avant-garde, the father of constructivism was Soviet artist Constructivist Vladimir Tatlin (28 December 1885 — 31 May 1953). This direction, called Constructivism, was a new way of thinking. It presents a new logic in the way of artistic thinking, hence its importance to contemporary art. Besides, it assigns a major role to structure and establishes design principles. Tatlin, Rodchenko and many other artists, coming from the abstract, worked on the problem of interdependence of forms. By the way, Tatlin was one of the few avant-garde artists who stayed in the USSR, while the majority of them left the Soviet country.
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