Soviet Art

USSR Culture

Category Archive: Soviet Art

Lupanova Elizaveta Nikolaevna – artist of figurine painting

Lupanova Elizaveta Nikolaevna artist.

Lupanova Elizaveta Nikolaevna artist.

Lupanova Elizaveta Nikolaevna (1910-1973) – artist of figurine painting. Leningrad Porcelain Factory.

She was born in the town of Detskoye Selo (now Pushkin, formerly Tsarskoye Selo). Having quite good drawing abilities, she already knew from her school years in which direction she would receive professional education. In the late 1920s, she entered the ceramics department of the Leningrad Art and Industrial College. After receiving her diploma in 1931, she began her creative path as an artist in the Izobretatel artel. In 1932, she changed her place of work and for two years improved her artistic skills in the Household Commune of the Theater of Working Youth (“TRAM”). In 1937, fate linked Lupanova with the legendary Leningrad Porcelain Factory (LPF), where she painted porcelain products before the Great Patriotic War.

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Ballerinas of Elena Aleksandrovna Yanson-Manizer

Sculptor Elena Aleksandrovna Yanson Manizer.

Sculptor Elena Aleksandrovna Yanson Manizer.

The cycle of works by the remarkable sculptor Elena Aleksandrovna Yanson-Manizer (1890-1971), dedicated to Soviet ballet, is evidence of the highest cultural level of both Soviet ballet and Soviet sculpture. Why did she become such a sculptor?

It’s very simple: she studied with the remarkable, highly professional sculptor M.G.Manizer, who, in turn, received a good academic education at the end of the existence of the Imperial Academy of Arts.

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Soviet manufacturers of porcelain figurines

Soviet manufacturers of porcelain. Sculptures from the series Soviet Socialist Republics, sculptor N. A. Malysheva, Dulevo Porcelain Factory, 1950-60.

Sculptures from the series Soviet Socialist Republics, sculptor N. A. Malysheva, Dulevo Porcelain Factory, 1950-60.

Soviet manufacturers of porcelain figurines, whose products today cost hundreds of thousands of rubles

Porcelain figurines of the Soviet period today, without exaggeration, can be called true works of art. Surprisingly, these products were appreciated only after the disappearance of the state in which they were born from the map of the world. Today we will talk about the productions that gave mankind true beauty – unique porcelain figurines, for which collectors from different parts of the globe are ready to pay hundreds, if not thousands of dollars.

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Svarog (Korochkin) Vasily Semyonovich

Painting The tank takes obstacles, artist Svarog V. S., USSR, 1931

Painting The tank takes obstacles, artist Svarog Vasily, USSR, 1931.

The founder of the Soviet newspaper illustration: Svarog (Korochkin) Vasily Semyonovich

Vasily Svarog is considered the founder of illustrations in the newspaper genre of the Soviet era. His works of art have always been executed perfectly, as a true professional, he did not tolerate hack work and constantly developed his abilities. The style of this artist’s work is closest to Ilya Repin, but this is not an imitation, but the influence of teachers who instilled in him a realistic style and a selfless love for art.

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Unofficial art of the USSR

Carnival in St. Petersburg. Mikhail Shemyakin. Unofficial art of the USSR

Unofficial art of the USSR. Carnival in St. Petersburg. Mikhail Shemyakin.

Unofficial art of the USSR is a powerful tool in the struggle of progressive artists against the totalitarian Soviet regime

Unofficial art of the USSR (non-conformist, underground, alternative or underground) is a collection of works of fine and other types of art of the 50-80s of the twentieth century that did not fit into the system of Soviet cultural values ​​and were strictly banned for political and ideological reasons. The unofficial art of the USSR united representatives of various avant-garde movements of that time, and its supporters were constantly persecuted by the authorities and persecuted in the press. They were deprived of the opportunity to freely communicate with the mass audience through the organization of exhibitions or the presentation of their work in the media.

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Hallmarking silver in the USSR how to read the signs on the marking

Assay Office building in Moscow. Hallmarking silver in the USSR

Assay Office building in Moscow. Hallmarking silver in the USSR. 

Hallmarking of silver in the USSR has changed more than once in its history. Immediately after the revolution of 1917, most of the jewelry factories and workshops were closed in Russia. Fearing robberies, the owners of large and small enterprises fled abroad. Assay offices, which were previously engaged in hallmarking silver, ceased their work with the coming to power of the Bolsheviks.

Hallmarking of silver at the dawn of the USSR was of little concern to the Soviet government. The main goal of the authorities was the requisition of jewelry and their further sale abroad, since the state needed funds to finance the world revolution. The first steps to put things in order in the jewelry business were made in 1918, when a commission formed under the Council of People’s Commissars assumed control functions.

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Yuri Petrovich Kugach

Yuri Petrovich Kugach

Yuri Petrovich Kugach

Yuri Petrovich Kugach was born in 1917 in Suzdal.

In 1936 he graduated from the Moscow Fine Art School in memory of 1905. He studied under N. P. Krymov and K. F. Morozov. In 1942 he graduated from the Moscow State Art Institute, in the same place in 1945 postgraduate studies with S. V. Gerasimov, N. K. Maksimov, I. E. Grabar.

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