To the light. Triptych. Central part. Oil. 1970. Soviet Turkmen artist Chary Amangeldyev (born July 5, 1933)

Soviet Turkmen artist Chary Amangeldyev – member of the USSR Union of artists, People’s Artist of the Republic of Turkmenistan.
Born on July 5, 1933 in Ashgabat, he graduated from the Ashkhabad Art College in 1951 and the Moscow State Art Institute named after VI Surikov in 1965. His thesis work was “Turkmen carpet-weavers” (led by famous Soviet artist D.K. Mochalsky). Meanwhile, in the Moscow State Art Institute Chary Amangeldyev first received a diploma of a restorer, and then graduated from painting department.
Amangeldyev was a permanent participant of All-Union, republican, and international exhibitions of Soviet Art since 1957. And his personal exhibitions took place in 1974, 1983 in Turkmen State Museum of Fine Arts, Ashgabat. Besides, he was a participant of the 2nd Tashkent Biennale of Contemporary Art in 2002. His creativity no longer fit into the borders of Turkmenistan and the entire Soviet Union and went beyond them.
Associate Professor of the Turkmen Academy of Arts (1998-2004), Chary Amangeldyev made creative trips to Argentina, Bulgaria, Iran, Mongolia, Turkey, and Japan. His works are in the Turkmen State Museum of Fine Arts in Ashgabat, the State Tretyakov Gallery, the State Museum of Oriental Art in Moscow, and in private collections in the former USSR and abroad.
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Tonya, portrait. Oil on cardboard. Painting by Soviet artist Boris Ivanovich Vagin (1920-2002)

Soviet artist Boris Ivanovich Vagin – talented Russian painter born in Tula. In his childhood, he studied in the Tula art school. Later, in 1936, he moved to Leningrad to study at the Leningrad Art Studio. After having graduated from the studio, in 1939, he returned to his native Tula, where he lived and worked till his last days. Since 1941, he took an active part in the city, regional and zonal exhibitions of Soviet Art, including Moscow region. In addition, his personal exhibition took place in Tula in 1979. Works by Boris Ivanovich Vagin are in the State art museum in Tula, many regional museums, the Art Fund of the Russian Federation, as well as in private collections, sold at Western, Russian and Ukrainian auctions.
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Caucasian. 1979. Oil on canvas. Soviet Russian painter Viktor Ladeyschikov (born 1928, Sverdlovsk – died 1987, Kiev, the USSR)

Soviet Russian painter Viktor Ladeyschikov
Born in the village of Istok of Sverdlovsk region, Russia, Viktor Leonidovich graduated from the Sverdlovsk Art College (1950). Later, he moved to the Ukraine, where he entered the Kiev Art Institute, from which he graduated in 1956. He studied in the workshops of master of Soviet Art K. Trokhimenko and participated in republic art exhibitions while still a student. The same 1956 Ladeyschikov participated in All Union exhibitions of Soviet art and became the member of the USSR Union of Artists. Socialist realism artist, he worked mostly in the field of easel painting, and in particular, genre painting.
He created several paintings dedicated to social life. The artist’s works are in many regional museums of Russia and Ukraine and in private collections in Russia, as well as in England, Germany, Spain, and Japan. Works of the artist are very rare in the art market.

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New Settlers. Oil on canvas. 1965. Soviet Belarusian artist Mai Dantsig (27 April, 1930 – 26 March, 2017)

Soviet Belarusian artist Mai Dantsig 1930-2017

The passion for bright large canvases, life-affirming pathos, publicism are characteristic of the work of Mai Danzig. The artist perceives reality as if on a widescreen scale and speaks with the viewer in full force of voice and in full measure of emotions. Even the names of his paintings sounded exalted: “The Soligorsk land is rumbling”, “Belarus is the mother of the partisans” …
Danzig began with sketches, genre scenes and portraits. He painted the secluded corners of Minsk against the background of the sky with white clouds reminiscent of flying sails. He deployed on the canvases the prospects of squares and quarters with cranes, created a series of picturesque reports from the new buildings of the republic.
In the painting “New settlers” the artist clearly pretends to cause in the viewer complex associations. In the smiles and poses of his heroes, in the spaciousness of a freshly painted room, not cluttered with things of sustainable well-being, he seeks to express not so much the joy of a young family who has received a new apartment, but the bright and solemn feelings of the builders of a new life.
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Geese-swans. 1970s. Lithography. Soviet graphic artist Vladimir Bendinger (1924-2012)

Soviet graphic artist Vladimir Bendinger
Born April 14, 1924 in the Siberian city of Krasnoyarsk, Vladimir showed his art abilities in early childhood. However, the war years prevented him from studying art, Yet, after the end of the war, in 1948 he entered the Leningrad Artistic and Pedagogical School, from which he graduated in 1953. Vladimir studied at the workshops of famous Soviet artists Vladimir Sudakov and G.A. Shakh.
Noteworthy, Vladimir began participating in exhibitions of Soviet art in 1948, when he still was a student. A member of the Leningrad and the USSR Union of Artists (1974), he mostly worked in print techniques of linocut and woodcut. Traditionally, the main themes in creativity of Bendinger – nature and landscapes of his country.
Vladimir Adolfovich Bendinger died in 2012 in St. Petersburg.
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Self-portrait. Soviet artist Vasily Prokofievich Yefanov (November 23, 1900 – March 3, 1978)

Soviet artist Vasily Prokofievich Yefanov (1900-1978) was a master of the ceremonial portrait, communist (since 1954), and five-time winner of the Stalin Prize (1941, 1946, 1948, 1950, 1952). Besides, a full member of the Academy of Arts of the USSR (1947) and People’s Artist of the USSR (1965). For his 50 years of artistic life, Yefanov has created a gallery of portraits of his contemporaries. His paintings entered the treasury of Soviet art. The master of the portrait and the teacher, Yefanov brought up a whole galaxy of young talented Soviet artists who took a prominent place in Soviet art.
Born on 23rd November 1900 in Samara, he studied at the local Art and Industrial College (1917-1921). After unsuccessful attempts to enter the Petrograd Free Art Workshops (the former Academy of Arts) and the Moscow Higher Artistic and Technical Workshops (Vhutemas), in 1922 he moved to Moscow. There he studied at the studios of AE Arkhipov (1922) and DN Kardovsky (1922-1926).
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Soviet canned goods. Oil on canvas. Still life. 1939. Soviet Russian painter Boris Yakovlev (17.09.1890-08.12.1972)

Soviet Russian painter Boris Yakovlev (17.09.1890-08.12.1972) was a Corresponding Member of the Academy of Arts of the USSR (1958). A Member of the Association of Artists of Revolutionary Russia, he acted as one of its organizers (1922).
Born in Moscow, Yakovlev graduated from the Moscow University (1917), and then – School of Painting, Sculpture and Architecture. He studied in the workshop of A.M. Vasnetsov and A.S. Stepanova (1918), and also his teachers were S.V. Malyutin and A.E. Arkhipov. Mentors of the young artist were representatives of Russian realistic art. From them, Yakovlev perceived the remarkable national traditions of landscape painting. Master of lyrical landscape, he became the founder of the Soviet industrial landscape. His famous works on the topic of industrialization of the country – “Transport is getting better”, 1923 and the lyrical landscape “Arable land”, 1950s.
Since 1916 he began to participate in exhibitions. Since 1922 – a participant in exhibitions of the CPX. In 1921, the artist exhibited with the group “World of Art”. Yakovlev’s paintings were present at the exhibitions “Artists of the Russian Federation for 15 years”, “Industry of Socialism”, All-Union art exhibitions,
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