Soviet children painting Space. Natasha Ishaeva, 12 years old. In the Star World. Gouache. Moscow, USSR, 1986

Soviet children painting Space

These Space exploration inspired drawings were published in 1986 April issue of magazine “Young Artist” published in the USSR. It should be noted that since 1961, it has become such a good tradition to dedicate every April issue to the achievements of the Space exploration theme. Indeed, Yuri Gagarin’s flight inspired a generation of Soviet children. Many of the boys (and even girls, after the flight of Valentina Tereshkova) dreamed about space, to the question of who you want to be, the answer was simple – an astronaut. Research of the universe inspired young artists, the best drawings were published in a magazine just to Cosmonautics Day in the Soviet Union – on 12 April. Editors of the magazine “Young Artist” in conjunction with the Scientific Council of the USSR Academy of Sciences organized the contest “Space and children” for all lovers of fine art. The most striking works were sent for exhibition in Japan.
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Long live the Komsomol!. Poster. 1924. Soviet artist Alexander Samokhvalov (1894-1971), Honored Arts Worker of the RSFSR, a member of the Leningrad Union of Artists of Russian Federation

By the seventh anniversary of the October Revolution, the artist AN Samokhvalov created the poster “Long live the Komsomol!”. Gusty movement of the figures, marching rhythm of the composition creates an emotional image, close to the lines of Komsomol poet- song writer A. Bezymenski:
Go forward. Along the sunny roads,
To the factories, the mines, the court!
To all countries and Oceans we’ll spread the scarlet banner of labor!

This poster symbolized a purposeful movement forward, romantic and daring youth, abruptly and rapidly moving to the goal.
By studying the artistic heritage of the famous Soviet artist Alexander Samokhvalov, one may be surprised at his ability to vividly respond to the most important events of the time, immediate and enthusiastic he had witnessed. It seems quite natural that Lenin theme in the works of master got deeply felt incarnation. It appeared in his work back in the mid 20-ies in the posters, then put into a number of paintings, united in a kind of a series on which the artist has worked long and hard, turning to it again and again. Samokhvalov gave this series code name “Lenin and the people of the revolution”, stipulating at the same time that in his plan would be more appropriate the name of “Lenin and the people”, as the “people of the revolution are actively involved in the revolution, in the case of Leninist principles. ”
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Goalkeeper. 1949. Soviet painter Sergei Grigoriev. State Tretyakov Gallery, Moscow

Soviet painter Sergei Grigoriev (1910 – 1988), People’s Artist of the Soviet Union and member of the USSR Academy of Arts, has played a major role in the formation of the Soviet Ukraine school of art as an outstanding painter and teacher. Grigoriev embarked on his artistic career in the late 1920s — early 1930s. He started as a graphic artist, working hard as a book illustrator, designer of posters and murals, and interior decorator. Beginning in the late 1930s, he gradually emerged as a lyrical painter. In his portraits, genres pictures, and landscapes, he created images filled with humaneness and harmony with the surrounding world. Ten years later, in the late 1940s, he established himself in Soviet painting as a mature master of multi figural, complex compositions.
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Soviet painter Victor Shatalin – ‘Squads of young fighters were gathering’. 1969-1970. canvas, oil

Russian Soviet painter Victor Shatalin (1926 – 2003) was a master of genre painting on the military, revolutionary and patriotic themes. Victor was born in a village of Saratov region. From the age of 13 he studied at the Leningrad Art School at the Academy of Arts of the USSR. In 1941, 15-year-old boy went to the front, and became the “son of regiment” of the 1st Ukrainian Front. After the end of World War II, in 1945, Victor attended the Kiev Art School named after Shevchenko, after which he entered the Kiev Art Institute.
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Woman – Proletarian, master aviation technology … Soviet poster artist Maria Bri-Bein. 1931

The author of this poster – Soviet poster artist Maria Bri-Bein. Her statement was “for the successful implementation of the historic tasks artist should maintain his two main development tools – clarity and mass.” Maria’s posters are clear, specific, dynamic, expressive, not overloaded with details, and are interesting to contemporaries not only with the plot, but that they were made by the woman – artist. The struggle of the Soviet state for the “liberation” of women, the approval of the idea of ​​the necessity of her participation in the creative work is reflected in the paintings of many painters. The Soviet era heroine in artworks by Bri-Bein is stately, beautiful, confident in her work, mission, and her future.
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Soviet Set Designer Boris Knoblok, 1950s

Soviet Set Designer Boris Knoblok (April 19, 1903, Moscow – February 4, 1984, Moscow) – Honored Artist of the RSFSR, the winner of the Stalin and the State Prize of the Tatar ASSR. Boris Georgievich Knoblok belonged to a generation of artists who came to the theater decorative art from painting, architecture, graphic. They mastered a new profession, putting their first performances. Many could not withstand the theater test. Knoblok survived, stayed there forever. He perfectly mastered the traditional space of the stage, drama and music, willingly designed there the performances of contrasting genres. But if within the “scene – the box” was not enough for him, and he was constantly looking for the application of his abilities in the circus, cinema and sports.
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Plate ‘Cubist Hammer’. 1919. PV Kuznetsov. Soviet propaganda porcelain

The early USSR period Soviet propaganda porcelain, has become a business card of our country, the same as the jeweler’s art of Faberge, icons, or avant-garde painting. Indeed, nowadays, products from porcelain cost much and sold at the famous auction houses. Meanwhile, vases, plates, cups, dishes and porcelain statuettes were in many Soviet families. But now, the best pieces of the USSR porcelain, and in particular, early Soviet Soviet era, so-called propaganda porcelain is rarity, worth of best museums. In addition, due to the unavailability of items and a sense of historical belonging, and of course, nostalgia for the recent past, such porcelain is now highly collectible.
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