Soviet Art

USSR Culture

Soviet sculptor Alexandr Deineka 1999-1969

Friends. 1950's. Electroplating, plasticine, pedestal - wood. Soviet sculptor Alexandr Deineka 1999-1969

Friends. 1950’s. Electroplating, plasticine, pedestal – wood. Work by Soviet sculptor Alexandr Deineka (1999-1969)

Soviet sculptor Alexandr Deineka
In addition to painting, monumental works, mosaics and decorative-applied art, Deineka is a well known as a sculptor. Today, one can not say definitely about the reasons, or the exact time of Deineka’s conversion to sculpture. Except for a brief episode of the first years of his artistic biography, when in 1920 in Kursk, at an emergency meeting of teachers at the Proletarian Art Studio, it was decided that in addition to Deineka’s painting classes, he would lead a course in sculpture. However, there is no evidence that in 1920 – 1930s, the artist showed interest in this art form. In exhibition catalogs, the artist invariably dated his first sculptures in 1939.
In any case, it is interesting to note that in the late 1930s the artist was fond of the idea of ​​three-dimensional space in art, that is, just at a time when the reaction to the appearance of his new monumental works is by no means always positive.

Seated. 1950's. Bronze

Seated. 1950’s. Bronze

Noteworthy, Deineka begins his journey in sculpture not as a student, he immediately sets before himself complex, sometimes experimental tasks, trying to find new plastic and compositional moves (“The boy jumping into the water”, “Hopak”, “Goalkeeper”). Deineka’s pre-war sculptures are characterized by peculiar roll-calls with what he did in other forms of art. Particularly, from the magazine graphics came the images of the “Old Woman”, and the boy jumping into the water, from painting – “Goalkeeper” and “Portrait of SIL”.

Post-war Deineka’s plastic work seems more motivated – at this time he headed the Department of Sculpture of the Institute.Meanwhile, some of the works of the mid-1940s and early 1950s may have something to do with the teaching process. Many of them can are plastic sketches, in which the artist develops motion problems and compositional tasks of desktop single-figure and two-figure sculptures.

Soviet sculptor Alexandr Deineka

A boy jumping into the water. 1939

A boy jumping into the water. 1939

A hundred meters. 1947. Bronze, metal

A hundred meters. 1947. Bronze, metal

A pot of flowers. 1948. Ceramics

A pot of flowers. 1948. Ceramics

A sailor with a harmonica. 1948-1950. Ceramics

A sailor with a harmonica. 1948-1950. Ceramics

A.A. Deineka with his dog Tyubik in the studio at the artist's dacha. The end of the 1950's - the 1960's

A.A. Deineka with his dog Tyubik in the studio at the artist’s dacha. The end of the 1950’s – the 1960’s

Another view of 'A hundred meters'. 1947. Bronze, metal

Another view of ‘A hundred meters’. 1947. Bronze, metal

At the concert. 1948. Majolica

At the concert. 1948. Majolica

Athlete. 1940. Head. Aluminum, marble. The State Tretyakov Gallery

Athlete. 1940. Head. Aluminum, marble. The State Tretyakov Gallery

Boxer. 1947. Wood

Boxer. 1947. Wood

By the water. 1952. Bronze, pedestal - granite

By the water. 1952. Bronze, pedestal – granite

Closeup By the water. 1952

Closeup By the water. 1952

Clown. 1948. Terracotta

Clown. 1948. Terracotta

Detail of Football players. 1950. Multifigured composition. Tinted tree. The State Tretyakov Gallery

Detail of Football players. 1950. Multifigured composition. Tinted tree. The State Tretyakov Gallery

Exhibition. Relay race. 1945

Exhibition. Relay race. 1945

Football players. 1948-1955. Relief on the grate. Copper, chasing, welding. The State Tretyakov Gallery

Football players. 1948-1955. Relief on the grate. Copper, chasing, welding. The State Tretyakov Gallery

Football players. 1950. Multifigured composition. Tinted tree. The State Tretyakov Gallery

Football players. 1950. Multifigured composition. Tinted tree. The State Tretyakov Gallery

Fragment of the exposition of the personal exhibition of AA. Deineka in 1957 in Moscow with the sculpture 'Goalkeeper'

Fragment of the exposition of the personal exhibition of AA. Deineka in 1957 in Moscow with the sculpture ‘Goalkeeper’

Fragment of the exposition of the personal exhibition of AA. Deineka in 1957 in Moscow with the sculpture 'The Old Woman'

Fragment of the exposition of the personal exhibition of AA. Deineka in 1957 in Moscow with the sculpture ‘The Old Woman’

Goalkeeper

Goalkeeper

Hopak. 1941. Bronze, pedestal - wood

Hopak. 1941. Bronze, pedestal – wood

Hopak. 1941

Hopak. 1941

Jump through the bar. 1949. Bas-relief. Tinted cement

Jump through the bar. 1949. Bas-relief. Tinted cement

On holiday with a basket of flowers. 1945. Relief. Ceramics, author's installation on gypsum base

On holiday with a basket of flowers. 1945. Relief. Ceramics, author’s installation on gypsum base

On the stage. 1948. Gilded terracotta

On the stage. 1948. Gilded terracotta

On the stage. 1948. Terracotta

On the stage. 1948. Terracotta

On the stage. 1948. Terracotta

On the stage. 1948. Terracotta

Parisian boulevards. 1948. Majolica

Parisian boulevards. 1948. Majolica

Portrait of S.I.L. (In the beads). 1940

Portrait of S.I.L. (Serafima Ivanovna Lychyova). 1940

Portrait of S.I.L. 1940

Portrait of S.I.L. 1940

Relay race. 1945. Two-figure composition. Bronze, pedestal - metal

Relay race. 1945. Two-figure composition. Bronze, pedestal – metal

Relay race. 1945

Relay race. 1945

Running. 1945. Bronze, pedestal - wood

Running. 1945. Bronze, pedestal – wood

S.I.L. 1940. (Serafima Ivanovna Lychyova (1906-1992)

S.I.L. 1940. (Serafima Ivanovna Lychyova (1906-1992)

Sculpture 'The Old Woman'

Sculpture ‘The Old Woman’

Seated. 1950's. Bronze

Seated. 1950’s. Bronze

Shot put. 1957. Gypsum toned

Shot put. 1957. Gypsum toned

Skater. 1940. Bronze

Skater. 1940. Bronze

Skater. 1940

Skater. 1940

Ukrainian. 1951. Porcelain, overglaze painting

Ukrainian. 1951. Porcelain, overglaze painting

Source
Illustrated album “Deineka. Monumental art. Sculpture”. Moscow. Interros Publishing Program, 2011