Soviet Art

Duel of Peresvet with Chelubey on Kulikovo field. 1943 (Fragment). Stalin prize of first degree (1946). Painting by Soviet Russian artist Mikhail Ivanovich Avilov (6 September 1882 – 14 April 1954)

Soviet Russian artist Mikhail Ivanovich Avilov
Great Russian artist, a member of the Association of Artists of Revolutionary Russia, People’s Artist of the RSFSR and a laureate of the Stalin Prize of the first degree. Considered one of the best Soviet battle-painters, master of historical scenes. Distinguished by a special dynamism of the scenes, attention to detail and the heat of events. He created one of the most famous battle works, which is called “The Duel of Chelubey with Peresvet”. This picture depicts the legendary battle between the two heroes, which shows the invincible spirit of the Russian people, who overthrew the Tatar-Mongol yoke. Noteworthy, created during the Great Patriotic War, it aimed to exalt the self-consciousness of the Soviet people, who fought against the fascist invaders. This picture to date remains a classic battle-historical genre.
Mikhail Ivanovich Avilov began his education at the Society for the Encouragement of Arts, then studied at the studio of L.E. Dmitriev-Kavkazsky, after graduating from the Imperial Academy of Arts. From 1922 to 1930 he was a lecturer at the Leningrad Art and Industrial Technical School. Since 1947 he taught at the Institute of Painting, Sculpture and Architecture of I.E. Repin in Leningrad. Currently, his paintings are in the most famous museums in Russia, including the Russian Museum, the Tretyakov Gallery and many others.
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From seven to twelve (movie almanacs). 1965. Famous Soviet episode actress Nina Agapova

Famous Soviet episode actress Nina Agapova
Born on May 30, 1926 in Moscow, Nina Agapova is the famous Soviet episode actress. Her parents lived in the same village near Kolomna, and later moved to Moscow to feed themselves. The mother of the future actress began working in a weaving factory, and her father traded in a private shop. However, in August 1945, he died of tuberculosis. Nina from childhood was artistic and had a beautiful voice. In the summer of 1941, when the war was already in full swing, she entered the Russian folk choir named after Yarkov and traveled all over the country with concerts. She performed in the Far East, in Asia, in the Crimea and even on the Karelian front. There she very quickly got into soloists and even played the main role (bride) in the theatrical performance “Russian Wedding”. Apparently, she would sing in the choir, but immediately after the war she feel in love with cinematography.
Together with her friends, Nina often ran to Mosfilm to earn extra money in episodic scenes. And one day she caught the eye of the assistant director Viktorov, who helped M. Romm to make the film “Man No. 217”. And it was him who advised Agapova to try her luck in acting. Accordingly, she entered the All Union Institute of Cinematography, the acting and directing course of S. Yutkevich and M. Romm. There her classmates were the future stars of Soviet cinema. In particular, Vladimir Basov, Rezo Chkheidze, Tengiz Abuladze, Vitaly Melnikov and Yuri Sarantsev.
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Komsomol meeting on virgin lands. Soviet artist Rostislav Nikolayevich Galitsky (6 January 1920-1979)

Soviet artist Rostislav Nikolayevich Galitsky
Born in 1920, Velikiy Rostov of Yaaroslavl region, Rostislav Nikolayevich Galitsky is a prominent Soviet painter. He made first steps under the guidance of his mother and working in Rostov artists and teachers A.I. Zvonilkin (1883-1937) and A.A. Uspensky (1887-1938), who often visited their house. According to his own memories, a great role in his creative development at an early stage played two people. In particular, living in exile Moscow artist S.A. Baulin (1904-1976), as well as an outstanding art historian and art critic, AM. Efros (1888-1954).
Works of Rostislav Nikolayevich Galitsky are in the State Tretyakov Gallery, in many museums in Russia, and in Russian and foreign private collections.
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Still life. 1920. Soviet artist Samuil Yakovlevich Adlivankin 1897-1966

Soviet artist Samuil Yakovlevich Adlivankin
Painter, monumentalist, graphic artist, was part of the “left” wing of Soviet art of 1920-30. He worked with a poster, painted portraits, genre paintings and landscapes. Stylistics of works is close to lubok, primitive, the spirit of AM Rodchenko, and LS Popova. Besides, he did easel works in the grotesque style. However, most valuable are the works created mainly until 1925.
Samuel Adlivankin is a typical representative of a generation who entered art together with the revolutionary upheavals of 1917. The pupils of VKHUTEMAS, these artists tried to get involved in the elements of the picturesque searches of the previous time. And, at the same time, greedily took on the signs of the new Soviet reality.
In the early 1920s, Adlivankin created a series of works, mostly portraits, admiring the typical character of his models and at the same time showing them ironically.
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On the peaceful land. Soviet artist Alexandr Dmitriyevich Romanychev (September 18, 1919 – August 21, 1989)

Soviet artist Alexandr Dmitriyevich Romanychev

Born on September 18, 1919 in the village of Russian Gorenki of Simbirsk province, A.D. Romanich was Honored Artist and People’s Artist of the RSFSR.
He studied in the Rostov-on-Don Art College named after M. Grekov (1937-1938). Veteran of the Great Patriotic War, after graduating from the Naval Aviation School he served as a naval pilot. After demobilization he returned to study at the Rostov School, from which he graduated in 1948. And the same year he entered the painting faculty of the Leningrad Institute of Painting, Sculpture and Architecture named after IE Repin. Noteworthy, he studied in the workshop of famous Soviet artists Mikhail Avilov and Yuri Neprintsev. After graduation, he continued studying in the graduate school of the Institute (1954-1957), and then taught art there.
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Lenin with a girl. oil on canvas. 1972. Soviet Ukrainian artist Evgeniy Volobuev (1912-2002)

Soviet Ukrainian artist Evgeniy Volobuev
Born in the village of Varvarovka of Kharkov region, Evgeniy Volobuev – Soviet painter, Honored Artist of the Ukrainian SSR, People’s Artist of Ukraine.
According to Evgeniy Volobuev, all his life he painted only what he worried about, and mostly worked in the genre of easel painting. “And this is a great luxury.” “Perhaps, in the sense of the good things I lost, I definitely lost, but in the main, I think, I won … Yes, otherwise I could not work”, said Yevgeny Vsevolodovich.
Volobuev grew in the family of rural teachers. He spent his childhood and youth in Kursk province of Russia, where he began his artistic education under the guidance of the artist NN Arshinov. Later, he graduated from the Kharkov Art College (1928-1931), where he studied in the workshops of AA Kokel and I.Z. Vladimirov. In addition, he received art education in the Kharkov Art Institute (1931-1934), workshops of MA Sharonov and SM Prokhorov. Also, until 1940 he studied at the Kiev Art Institute, the workshop of F.G. Krichevsky and D.N. Shavykin. And after graduation, he taught art in the Kharkov Art College, and then at the Kharkov Art Institute.
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Long live May 1st. Poster. I. Grinshtein. 1953. Soviet Leninist propaganda poster art

Soviet Leninist propaganda poster art
In fact, such propaganda aimed, clarifying a specific issue, the attitude of the Soviet authorities to current events in an accessible form. Together with radio and newspapers, they were means of agitation and propaganda, affecting the consciousness and mood of people with the aim of motivating them to political or other activities. And the nature of Soviet posters changed with the historical development of the USSR. The propaganda in them combined universal values ​​(freedom, social justice), patriotism, general educational elements, appeals for a healthy lifestyle and so on. Soviet posters, as a rule, are works of fine art and reflect elements of the Soviet cultural heritage.
Also, in the USSR were popular education posters including posters promoting healthy lifestyles, avoiding bad habits, sports and sports events. Besides, observance of safety rules, cultural enlightenment and overcoming illiteracy, academic performance, high quality or improvement of official duties. In some ways, the educational poster in the USSR was a kind of political poster, because it reflected the policy of the CPSU in relation to certain social problems.

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